Leaving Traces
Restrospective Exhibition
September 20th - 30th, 2024
Kwang-hyun Kim
Opening Reception :Saturday, September, 21, 5-7pm
Retrospective : September 20th - 30th, 2024
This retrospective exhibition showcases over 20 graphic design works from 1960 and more than 70 paintings-including oil, acrylic, and various other mediums-created after I retired from my studies in 2001. Additionally, the exhibition booklet features 14 essays in both Korean and English, covering various topics such as Western art history and personal observations.
The works in this exhibition are neither digitized nor mechanized, nor are they created with the convenience, accuracy, or speed of Al. They do not conform to any predefined styles, trends, or standardized approaches. Instead, these paintings were made solely through the movements of the brush and hand, with an emphasis on mindful peace, tranquility, and emotional sensitivity. My background in design influences the multidisciplinary visual and expressive qualities of these works. Although they may not be the most outstanding or beautiful pieces, they are best viewed as "traces"' of my life. I hope viewers will appreciate them in this context.
환희 (Exultation) Oil 36x24", 2014
Dreaming of Paradice (36x48), 2008
48 Sections of Composition ( 24x36), 2024
Composition 2 (48x36), 2008
Korean Pattern 1 (38x38), 2008
Enjoyment of 5 Colors 1 (36x48), 2008
Inducement by Color 2 (26x48), 2008
Recollection 2 (48x36), 2014
Recollection 2 (48x36), 2014
Composition 3 (48x36), 2008
Korean Pattern 2 (38x38), 2008
Enjoyment of 5 Colors 2 (36x48), 2008
At Inside of Forest (36x24), 2022
Kwang-hyun Kim Biography
College of Fine Arts, Seoul National University Class of '57
This retrospective exhibition showcases over 20 graphic design works from 1960 and more than 70 paintings-including
oil, acrylic, and various other mediums-created after my retirement from academia in 2001. Additionally, the exhibition
booklet features 14 essays in both Korean and English, covering various topics such as Western art history and personal
observations.
The works in this exhibition are neither digitized nor mechanized, nor are they created with the convenience, accuracy,
or speed of Al. They do not conform to any predefined styles, trends, or standardized approaches. Instead, these
paintings were made solely through the movements of the brush and hand, with an emphasis on mindful peace,
tranquility, and emotional sensitivity. My background in design influences the multidisciplinary visual and expressive
qualities of these works. Although they may not be the most outstanding or beautiful pieces, they are best viewed as
"traces" of my life. I hope viewers will appreciate them in this context.
Seoul National University, Graphic Design College, South Korea Pratt Institute, New York, MS
Exhibition, A "RETROSPECTIVE OF PAINTINGS & ESSAY"
Two-Person Painting Show, Eave Gallery, Seoul Korea Total 17 Thorough Essays of Arts History and others
Couple Art Show (Hae Jung, Kwang Hyun)
Arts Show of NahRah Gallery opening
Published autobiography book-"Traces of a Designer"
Received Excellence Award from the International Counci ot
Graphic Design Association
Published in an exhibition of 'Oullim, the Great Harmony' Poster Translated book 'Design Concept' in Korean language
Published paper- 'Packaging Design'
Exhibited in 3rd One-man Graphic Design Show, Daegu, Korea
1988 Olympic Games in Seoul, Korea,
Interior Designer and Designer for Opening and Closing Ceremonies